After eight years, we said goodbye to restaurant critic Andrew Ross at the start of 2025. Today, we introduce our new critic — not so new really, as you’ll hear in a moment. We’re also taking the ...
By Erica Ackerberg Paul Fussell’s 50-year-old survey of trench warfare deserves a new generation of readers, our book critic writes. The standout essays in Megan Marshall’s “After Lives ...
Robert Lloyd has been a Los Angeles Times television critic since 2003. Previously, he held that position at L.A. Weekly, whose music editor and critic he also was for some years, and was the ...
Our critic on the month’s most notable releases. By Sarah Weinman Our columnist on the month’s best new releases. By Sarah Weinman Our columnist on the year’s most outstanding crime novels.
Once an exciting voice in German cinema, 'Run Lola Run' director Tom Tykwer has run out of things to say, delivering a ...
Eric Deggans is NPR's first full-time TV critic, also serving as media analyst and guest host for the network. Deggans came to NPR in 2013 from the Tampa Bay Times, where he served as TV/Media ...
Stephanie Zacharek is the film critic at TIME. She is the recipient of a Newswomen's Club of New York award, and was a 2015 Pulitzer Prize finalist. More From TIME ...
Robin Givhan is Washington Post senior critic-at-large writing about politics, race and the arts. Previously, she covered the fashion industry as a business, as a cultural institution and as pure ...
David Ehrlich is the Reviews Editor and Head Film Critic at IndieWire. Based in Brooklyn, where he lives with his wife, their two young children, and a crushing amount of anxiety that he treats ...
This year’s edition of the festival offers inventive visions, in fiction and nonfiction, of passionate lives amid difficult circumstances. With a style as daring as his narrative sense, Rob ...
The English We Speak is your chance to catch up on the very latest English words and phrases. In under 3 minutes, we help you stay ahead of the pack by giving you 'must have' phrases that you can ...
Tom Tykwer's Berlin Film Festival opener 'The Light' is an unintended paean to white guilt about a Berlin family undoen by ...