The team behind James Mangold's Bob Dylan biopic talk about recording the musical performances live and telling a story through sound environments.

Supervising sound editor Richard King, nominated for an Oscar for the film, explains why he didn’t — and couldn’t — inherit a sound library for the sequel.

This makes hearing voices particularly difficult, especially when they are mixed with music soundtracks and movie sound effects. If you're looking to hit two targets with one arrow, however ...

We're looking for natural sound in all cases that doesn't come across as overblown, and where individual effects can stand out from the overall mix. We want to see ease of use too, no matter how ...